
Gigs, festivals and nightlife, shot with long exposures, ambient light, and no interruption to the set.
Past collaborators
Selected work
Click a print to open

Closing set
One spotlight, a thousand raised hands.

Backstage
Minutes before the encore.
More from the pit
Click a print to open

On method
Most event photography freezes the night like a mugshot. I would rather keep it moving. Long exposures, ambient light, the blur of a hand mid-chord. What you are left with is not a record of who attended. It's the feeling of having been there.

How I work
Short call or email: setlist, stage plan, photo-pit access, and the moments that must be captured.
I move through the room, not in front of it. No arranged shots, no "look natural." Available light, long exposures where the room allows.
Fast preview set for same-night socials, full gallery within the agreed window, in a private gallery you can share with the band or venue.
Usage stated plainly on the invoice. No surprises afterwards.
Book an event
Send the date, the venue, and roughly how long the night runs. I answer personally.